Writer-director Carmen Emmi is drawing attention this awards season with her debut feature, Plainclothes, a stylized drama exploring the toll of surveillance on LGBTQ+ communities. Set in 1990s Syracuse, the film follows Lucas (Tom Blyth), an undercover cop conducting lewd conduct sting operations in public spaces, and his unexpected connection with a man named Andrew (Russell Tovey).
Though overlooked by some major awards shows, Plainclothes has been nominated for the GLAAD Media Award for Outstanding Film.
The film is grounded in a history that continues to resonate today. Last summer, over 200 men were arrested in New York City bathrooms during an Amtrak Police Department operation targeting cruising hotspots listed on apps like Sniffies. Among those arrested, at least 20 were detained by ICE.
New York State Senator Brad Hoylman-Sigal described the arrests as “a rather frightening callback to a period that we thought had long passed in queer American history.”
Emmi’s film examines the psychological and emotional impact of policing queer sexuality. Historical research shows that entrapment and surveillance of LGBTQ+ people date back to the 19th century and were particularly intense during the Lavender Scare of the 1950s and ’60s. During that period, allegations of homosexuality could result in dismissal from government and private-sector jobs, and police frequently used sting operations to arrest gay men seeking connection or intimacy.
While such practices diminished somewhat after the Stonewall riots of 1969, they never fully disappeared. Emmi has said she became interested in this history after reading reports of Long Beach police sting operations from 2012 to 2014, which drew criticism for targeting gay men disproportionately.
Alongside Blyth and Tovey, the film features supporting performances from local actors, and was produced with a focus on authenticity and historical accuracy. Emmi has noted that the goal of Plainclothes is to illuminate the human cost of surveillance and highlight the continued relevance of LGBTQ+ civil rights.
The film is currently screening at select theaters and festivals, with wider release plans in the United States and international territories expected later this year.
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