'Rose' Premieres at Berlin With a Clear Message on Queer Freedom
A new historical drama exploring gender identity and survival premiered at the Berlin International Film Festival this weekend, carrying a pointed message about freedom and social progress.
Directed by Markus Schleinzer, Rose stars Sandra Hüller as a woman in 17th-century Germany who disguises herself as a man in order to escape the rigid constraints of patriarchy in the aftermath of the Thirty Years’ War.
A Life Built on Reinvention
When Rose arrives in a small village under her assumed male identity, she is accepted into the community. She later marries a young woman named Suzanna, played by Caro Braun.
The relationship shifts when Suzanna discovers the truth. Rose attempts to persuade her to remain in the marriage, promising a shared life built on mutual freedom rather than convention.
Hüller, known internationally for her performances in The Zone of Interest and Anatomy of a Fall, described her character’s disguise as a means of survival.
“She uses this drag as protection,” Hüller said during a press conference. “It allows her to live safely and to claim a life of her own.”
A Story With Contemporary Resonance
While set in the 1600s, the film’s themes feel strikingly current. Hüller noted that discussions around gender identity and social acceptance were very much on the team’s minds during production.
“People who were beginning to feel more accepted and integrated into society are now being threatened again,” she said, referencing broader political shifts in recent years.
Director Markus Schleinzer echoed that sentiment. He said that while he personally enjoys uplifting films, stories that unsettle audiences can provoke deeper reflection.
“When something stirs me up, I feel I have to take action,” he said. “There is still so much to do.”
Berlin’s Queer Legacy
The Berlinale has long been known for spotlighting queer cinema. This year marks the 40th anniversary of the Teddy Award, which recognises films with LGBTQ+ themes.
Schleinzer, who identifies as queer, said exploring queer identity and history is central to his work. With Rose, he wanted audiences to reflect on how gender roles — past and present — continue to shape lives.
The film paints a stark portrait of what happened to those who defied social and gender norms in the 17th century. But its message is forward-looking.
“Why do women still earn less than men?” Schleinzer asked. “There is so much to do.”
With Rose, he hopes viewers leave not only moved, but motivated - yearning not just for a happy ending on screen, but for one in their own lives.
0 Comments